Class for Intellectually Disabled Folks

topic posted Fri, October 17, 2008 - 2:55 PM by  Lelia
Share/Save/Bookmark
Advertisement
I've just been talking to a "recovering" actress who now works with intellectually disabled adults (i.e., mentally retarded folks). Her theater past leads her to think that exposing these people to mainstream cultural experiences would greatly benefit them. And, bless her heart, she thinks that mime would be a great tool to help them express themselves and teach them coping skills (such as not inviting someone just met over the Internet home, etc.). She thinks that a 2-hour class, once a week, for 6-8 weeks would be a good class. In the course of conversation, she asked what my rate would be, and I said (wisely, I think), "Let me think about it." But I don't really have any comparison to make a completely wise decision. Currently, the only thing I have to go on is that I was paid $150 for a .5 hr storytelling gig. Not knowing the size of the class yet, I think at least $200 a class. Does that sound like a good rate?

Also, how would one structure such a class? I've led day-long workshops mostly for average abled teens and adults, but nothing over a longer period. I think most of the people in this first class will be high functioning folks, so what I'd consider the regular physical skills will be included.

At this point, she's not looking for an actual performance, but more likely a showcase of what's been learned for a fundraiser.

Any thoughts, y'all? Are any of your classes with differently abled students? How would you address giving them a "normal" experience as well as cover that social need and bean-counting considerations?

Lelia
posted by:
Lelia
Richmond
Advertisement
Advertisement
  • Re: Class for Intellectually Disabled Folks

    Tue, October 21, 2008 - 4:12 PM
    Hmm... I think it's how you approach the material.

    The way I was trained, it was an intellectually very rigorous enterprise (which was one of it's appeals to me)-- but that was also training as a performer.

    I suspect that introducing mime as a stylized form of play in order to provide some stimulus to the kineaesthetic imagination that the clients don't always get might be of some benefit-- at least to some of them. So in that sense it is worth doing. I'd suggest starting with charades like guessing games and move towards what you and I would regard as mime (but again, mime as play-- showing emotions, actions, animals, et cetera.)

    The problem of what amounts to a "fair fee"-- well, you probably know better than I do: Few artists get paid fairly-- in most cases they can only get what those who respect your work can afford-- it's the people who don't respect your work who will try to charge you less than they can afford-- and with those folk you have to put your foot down.
    • Re: Class for Intellectually Disabled Folks

      Wed, October 22, 2008 - 4:04 PM
      Oh, I like that language! "...stylized form of play in order to provide some stimulus to the kineaesthetic imagination..." And definitely treat the process, especially at this stage, as playful. Erin told me that quite a few of the people she has in mind are hammy, so there's the opportunity for reinforcing sharing, or in Theater's case, giving focus.

      Yeah, fees... (sigh) And, of course, the county's in the same financial straits as everyone else. I haven't been told what their budget is, but I'm trying to build a sensible budget - once a week for 2 hrs for 8 weeks with 6-8 students - plus designing a program whole cloth because there doesn't seem to be any theater programs for MR adults. Now, I have to write myself a script where I convince them that it's absolutely proper to pay me whatever I'm asking because I'm so worth it (with or w/o blonde hair).
      • Re: Class for Intellectually Disabled Folks

        Sat, October 25, 2008 - 6:50 AM
        > Oh, I like that language

        Thanks. My parents taught me to speak and I never stopped.

        The advantage with having a friend working for the program is that you might be able to discuss what the program is likely to pay before having to negotiate with the people with the purse strings.
        • Re: Class for Intellectually Disabled Folks

          Sat, November 1, 2008 - 7:57 AM
          Yeah, and now you're a mime.

          Mimes probably have the most to say, actually, of all the performer types. Marceau spoke about it, all the gatherings I've been to have been abuzz w/ conversation and tales, Tony's diatribes/monologues/tales were a big part of why we studied w/ him.

          Just cuz we're primarily silent on stage has nothing to do with "mimes aren't supposed to talk".

          And "talking" has nothing to do with lovely language.

          Erin's given me an estimated class size (6-8) and cost per student so I've started that process. I'd want the money as close to up front as possible and not on a per-class basis. I'm not planning a class and then not getting paid if people skip it. I plan to add regular planning time in and the "create it from the git-go" fee, as well. The craftsman is worthy of her hire, even in this ecomony.

Recent topics in "Mime Theatre"

Topic Author Replies Last Post
Mime Outfit Claudia 2 October 16, 2009
Mime Awareness Day zoobie 6 September 26, 2009
Mime Instructors Ian 27 September 26, 2009
hoop video Matt Poki 0 February 4, 2009
Theater mask making workshop in LA, August 11-15 Alyssa 0 July 24, 2008