PARIS, France (AP) -- Marcel Marceau, who revived the art of mime and brought poetry to silence, has died, his former assistant said Sunday. He was 84.
Marcel Marceau performs during a presentation in Colombia in September 2005.
Marceau died Saturday in Paris, French media reported. Former assistant Emmanuel Vacca announced the death on France-Info radio, but gave no details about the cause.
Wearing white face paint, soft shoes and a battered hat topped with a red flower, Marceau, notably through his famed personnage Bip, played the entire range of human emotions onstage for more than 50 years, never uttering a word. Offstage, however, he was famously chatty. "Never get a mime talking. He won't stop," he once said.
A French Jew, Marceau survived the Holocaust -- and also worked with the French Resistance to protect Jewish children.
His biggest inspiration was Charlie Chaplin. Marceau, in turn, inspired countless young performers -- Michael Jackson borrowed his famous "moonwalk" from a Marceau sketch, "Walking Against the Wind."
Marceau performed tirelessly around the world until late in life, never losing his agility, never going out of style. In one of his most poignant and philosophical acts, "Youth, Maturity, Old Age, Death," he wordlessly showed the passing of an entire life in just minutes.
"Do not the most moving moments of our lives find us without words?" he once said.
Prime Minister Francois Fillon praised Marceau as "the master," saying he had the rare gift of "being able to communicate with each and everyone beyond the barriers of language."
Marceau was born Marcel Mangel on March 22, 1923, in Strasbourg, France. His father Charles, a butcher who sang baritone, introduced his son to the world of music and theater at an early age. The boy adored the silent film stars of the era: Chaplin, Buster Keaton and the Marx brothers.
When the Germans marched into eastern France, he and his family were given just hours to pack their bags. He fled to southwest France and changed his last name to Marceau to hide his Jewish origins.
With his brother Alain, Marceau became active in the French Resistance. Marceau altered children's identity cards, changing their birth dates to trick the Germans into thinking they were too young to be deported. Because he spoke English, he was recruited to be a liaison officer with Gen. George S. Patton's army.
In 1944, Marceau's father was sent to Auschwitz, where he died.
Later, he reflected on his father's death: "Yes, I cried for him."
But he also thought of all the others killed: "Among those kids was maybe an Einstein, a Mozart, somebody who (would have) found a cancer drug," he told reporters in 2000. "That is why we have a great responsibility. Let us love one another."
When Paris was liberated, Marcel's life as a performer began. He enrolled in Charles Dullin's School of Dramatic Art, studying with the renowned mime Etienne Decroux.
On a tiny stage at the Theatre de Poche, a smoke-filled Left Bank cabaret, he sought to perfect the style of mime that would become his trademark.
Bip -- Marceau's on-stage persona -- was born.
Marceau once said that Bip was his creator's alter ego, a sad-faced double whose eyes lit up with child-like wonder as he discovered the world. Bip was a direct descendant of the 19th century harlequin, but his clownish gestures, Marceau said, were inspired by Chaplin and Keaton.
Marceau likened his character to a modern-day Don Quixote, "alone in a fragile world filled with injustice and beauty."
Dressed in a white sailor suit, a top hat -- a red rose perched on top -- Bip chased butterflies and flirted at cocktail parties. He went to war and ran a matrimonial service.
In one famous sketch, "Public Garden," Marceau played all the characters in a park, from little boys playing ball to old women with knitting needles.
In 1949 Marceau's newly formed mime troupe was the only one of its kind in Europe. But it was only after a hugely successful tour across the United States in the mid-1950s that Marceau received the acclaim that would make him an international star.
Single-handedly, Marceau revived the art of mime.
"I have a feeling that I did for mime what (Andres) Segovia did for the guitar, what (Pablo) Casals did for the cello," he once told The Associated Press in an interview.
In the past decades, he has taken Bip to from Mexico to China to Australia. He's also made film appearances. The most famous was Mel Brooks' "Silent Movie": He had the only speaking line, "Non!"
As he aged, Marceau kept on performing at the same level, never losing the agility that made him famous. On top of his Legion of Honor and his countless honorary degrees, he was invited to be a United Nations goodwill ambassador for a 2002 conference on aging.
"If you stop at all when you are 70 or 80, you cannot go on," he told The AP in an interview in 2003. "You have to keep working."
Funeral arrangements were not immediately known.
www.cnn.com/2007/SHOWBIZ...ap/index.html
Marcel Marceau performs during a presentation in Colombia in September 2005.
Marceau died Saturday in Paris, French media reported. Former assistant Emmanuel Vacca announced the death on France-Info radio, but gave no details about the cause.
Wearing white face paint, soft shoes and a battered hat topped with a red flower, Marceau, notably through his famed personnage Bip, played the entire range of human emotions onstage for more than 50 years, never uttering a word. Offstage, however, he was famously chatty. "Never get a mime talking. He won't stop," he once said.
A French Jew, Marceau survived the Holocaust -- and also worked with the French Resistance to protect Jewish children.
His biggest inspiration was Charlie Chaplin. Marceau, in turn, inspired countless young performers -- Michael Jackson borrowed his famous "moonwalk" from a Marceau sketch, "Walking Against the Wind."
Marceau performed tirelessly around the world until late in life, never losing his agility, never going out of style. In one of his most poignant and philosophical acts, "Youth, Maturity, Old Age, Death," he wordlessly showed the passing of an entire life in just minutes.
"Do not the most moving moments of our lives find us without words?" he once said.
Prime Minister Francois Fillon praised Marceau as "the master," saying he had the rare gift of "being able to communicate with each and everyone beyond the barriers of language."
Marceau was born Marcel Mangel on March 22, 1923, in Strasbourg, France. His father Charles, a butcher who sang baritone, introduced his son to the world of music and theater at an early age. The boy adored the silent film stars of the era: Chaplin, Buster Keaton and the Marx brothers.
When the Germans marched into eastern France, he and his family were given just hours to pack their bags. He fled to southwest France and changed his last name to Marceau to hide his Jewish origins.
With his brother Alain, Marceau became active in the French Resistance. Marceau altered children's identity cards, changing their birth dates to trick the Germans into thinking they were too young to be deported. Because he spoke English, he was recruited to be a liaison officer with Gen. George S. Patton's army.
In 1944, Marceau's father was sent to Auschwitz, where he died.
Later, he reflected on his father's death: "Yes, I cried for him."
But he also thought of all the others killed: "Among those kids was maybe an Einstein, a Mozart, somebody who (would have) found a cancer drug," he told reporters in 2000. "That is why we have a great responsibility. Let us love one another."
When Paris was liberated, Marcel's life as a performer began. He enrolled in Charles Dullin's School of Dramatic Art, studying with the renowned mime Etienne Decroux.
On a tiny stage at the Theatre de Poche, a smoke-filled Left Bank cabaret, he sought to perfect the style of mime that would become his trademark.
Bip -- Marceau's on-stage persona -- was born.
Marceau once said that Bip was his creator's alter ego, a sad-faced double whose eyes lit up with child-like wonder as he discovered the world. Bip was a direct descendant of the 19th century harlequin, but his clownish gestures, Marceau said, were inspired by Chaplin and Keaton.
Marceau likened his character to a modern-day Don Quixote, "alone in a fragile world filled with injustice and beauty."
Dressed in a white sailor suit, a top hat -- a red rose perched on top -- Bip chased butterflies and flirted at cocktail parties. He went to war and ran a matrimonial service.
In one famous sketch, "Public Garden," Marceau played all the characters in a park, from little boys playing ball to old women with knitting needles.
In 1949 Marceau's newly formed mime troupe was the only one of its kind in Europe. But it was only after a hugely successful tour across the United States in the mid-1950s that Marceau received the acclaim that would make him an international star.
Single-handedly, Marceau revived the art of mime.
"I have a feeling that I did for mime what (Andres) Segovia did for the guitar, what (Pablo) Casals did for the cello," he once told The Associated Press in an interview.
In the past decades, he has taken Bip to from Mexico to China to Australia. He's also made film appearances. The most famous was Mel Brooks' "Silent Movie": He had the only speaking line, "Non!"
As he aged, Marceau kept on performing at the same level, never losing the agility that made him famous. On top of his Legion of Honor and his countless honorary degrees, he was invited to be a United Nations goodwill ambassador for a 2002 conference on aging.
"If you stop at all when you are 70 or 80, you cannot go on," he told The AP in an interview in 2003. "You have to keep working."
Funeral arrangements were not immediately known.
www.cnn.com/2007/SHOWBIZ...ap/index.html
-
Re: Mime Legend Marcel Marceau Dies
Sun, September 23, 2007 - 7:59 AMThe New York Times also ran a story from Reuters:
www.nytimes.com/reuters/ar...arceau.html
I was fortunate enough to not only see him perform but to meet him briefly in 2004 in the lobby of the theatre after he had changed into his street clothing. He was a gracious man who was willing to take whatever time was needed to individually meet and speak to every one of his admirers even though he was certainly eager for a well needed late supper. -
-
Re: Mime Legend Marcel Marceau Dies
Sun, September 23, 2007 - 1:01 PMThat is a much nicer article, and a much more flattering photo.
Interesting note, the NYT article is in the "arts" section, while CNN has it in a "showbiz" section.
Ian, you were blessed. Cherish the memory!
-
-
Re: Mime Legend Marcel Marceau Dies
Sun, September 23, 2007 - 3:38 PMI'm glad I scribbled something down of that meeting. I just ran it through a spellcheck and posted it to my blog:
ianthal.blogspot.com/2007/09...007.html -
-
Re: Remembering Marcel
Sun, September 23, 2007 - 8:30 PM"Never get a Mime talking because they'll never shut up!" - Marcel Marceau
-
-
-
-
Re: Mime Legend Marcel Marceau Dies
Mon, September 24, 2007 - 3:01 PMTime Magazine posted a review that originally ran in 1954:
www.time.com/time/magazi...7701,00.html
And another in 1963:
www.time.com/time/magazi...3037,00.html
A 1974 interview with the Christian Science Monitor:
www.csmonitor.com/2007/0923...-almp.html
The Boston Globe ran a good obit today:
www.boston.com/ae/theater...dies_at_84/
Obit in the Washington Post:
www.washingtonpost.com/wp-dyn...72.html
The BBC obit was so filled with errors that I'm not bothering providing the link. -
-
Re: Mime Legend Marcel Marceau Dies
Sun, October 7, 2007 - 1:58 PMi know i am a Little late to post on here but i just Joined this tribe
and am a Marcel Marceau Fan ever since i was a kid he is what
got me intrested in Mime
-